What we know about George Lucas’ art collection and what we’ll see in his museum

museum of narrative art

Otoh Gunga City, from the Museum of Narrative Art. Credit:
Doug Chiang

After Tuesday’s announcement that L.A.’s Exposition Park would become home to the Lucas Museum of Narrative Art, Mayor Eric Garcetti said, “People will visit from around the world to see the original Darth Vader mask and Norman Rockwell paintings.” But what else from filmmaker George Lucas

Source: www.latimes.com

I am looking forward to this but it is one of the more curious concepts to come out in a bit for the art world.  The Lucas Museum of Narrative Art will be a first-of-its kind institution: an anthropological museum of visual storytelling.


From the Lucas Museum website: The Lucas Museum will be a barrier free museum where artificial divisions between “high” art and “popular” art are absent, allowing you to explore a wide array of compelling visual storytelling. Visitors who might be less inclined to visit a traditional fine art museum will be invited to engage with and relate to art forms they recognize and love.

“Figures with Sunset”, Roy Lichtenstein

Vincent Van Gogh Away

Currently, the San Francisco Museum of Modern Art has an exhibition called Pop, Minimal, and Figurative Art, The Fisher Collection (May 14, 2016-ongoing). The entire exhibition is based around the art of famous Pop Artists, such as Roy Lichtenstein and Andy Warhol. I had the pleasure of viewing Roy Lichtenstein’s Figures with Sunset while visiting the SF MoMA.

Figures with Sunset is a very large piece of art. It is 107 inches x 167 inches and takes up an entire wall in the exhibition hall. It was constructed in 1978 and is oil and Magna on canvas.

This piece was part of a two decade study Lichtenstein did where he “reinterpreted great works of modern art in a Pop Art style” (Met Museum). Another example of a piece in this study is Stepping Out.

The piece exhibits Lichtenstein’s typical style of using uniform dots to add color and dimension, but…

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“Chin Up” 

denver street art, art denver, street art denver, surj denver, denver

Denver Street Art 2016 Here is a great snap of the 40 ft. Mural ‘Chin Up’ by Denver based artist SURJ, part of the ‘Duct work’ project underneath I-70. The mural is meant to represent battle tested spirit of the community that surrounds the area. With the bold, striking colors, the image is both potent …

Source: www.surjart.com

Some recent street art in Denver

Paris art exhibition pays tribute to the African-American artists

Paris’s Quai Branly Museum


What role did art play in the quest for equality and the affirmation of black identity in segregated America? The exhibition pays tribute to the African-American artists and thinkers who contributed, during a century and a half-long struggle, to blurring this discriminatory “color line”.


As record numbers of visitors’ flock to the new African-American history museum in Washington, another landmark exhibit has opened across the Atlantic, offering a stark and sometimes brutal take on racism in the United States through the lenses of black artists.

An exhibition at Paris’s Quai Branly Museum has come under fire for its descriptions of slavery in the United States. In a booklet that accompanied the exhibition, which is titled “The Color Line,” the lifestyle of certain slaves was described as “pleasant.” Elsewhere there were claims that discrimination based on skin color ended in the US in 1964.

Running until mid-January 2017 at the Quai Branly-Jacques Chirac Museum in Paris, “The Color Line” spans post-Civil War America through a stunning trove of 600 books, posters, paintings and video clips. They document the struggles and gradual empowerment of African-Americans through art.

“French people know jazz music and some black movie stars and literature. They know words like ‘Ferguson,’ ” said the show’s curator, Daniel Soutif, referring to the 2014 race riots and protests in the U.S. state of Missouri, touched off by the fatal shooting of a black youth by a white police officer. “So one aspect of the show is to complete their culture, to show black people aren’t only those killed on the streets, but also very important artists.”

The show traces the origins of the “color line,” a term referring to racial segregation in America after the abolition of slavery in 1865. It explores how blacks were ridiculed in vaudeville shows and movies, faced discrimination through Jim Crow laws in the southern United States and elsewhere, and fought for their country during the World Wars in a segregated military.

the color line france, french art, art france

Expressions of brutality

Perhaps the most chilling part of the show deals with the brutal practice of lynching’s. One painting shows hooded members of the white supremacist Ku Klux Klan erecting a cross, lit up by a bloody moon; another, by Lois Mailou Jones, shows the anguish of a shackled man minutes before his death.

“We try to present the context,” Soutif said. “Words like Reconstruction or Jim Crow — they mean nothing to French people.”

In some ways, the exhibit seems a given for the French capital, long a magnet for legions of African-American writers, artists and musicians who found the liberation they were denied at home.

Read more at VOANEWS.COM